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fr
at philomena+ Vienna
01.03 - 17.04.24
with
  • Maria
    Hanl
  • Ziad
    Naitaddi

The exhibition Emotional Lands, curated by Achraf Remok and Elisabeth Piskernik in collaboration with philomena+ Vienna, explores the complexity of human emotions in a rapidly changing world. What experiences trigger feelings? What causes our feelings to change?
The artists Maria Hanl (Vienna) and Ziad Naitaddi (Salé) explore these questions and look at the topic of migration and political manipulation from their own perspective.

Ziad Naitaddi’s artistic work invites us to examine our own prejudices and preconceptions by questioning the dichotomy of good and evil and looking at the subtleties of the behaviour of people who are exposed to external and internal changes while migrating.

In her work, Maria Hanl addresses the tension between the individual and society. She is interested in people as social and emotional beings who always relate to a community in their existence. This characteristic makes not only the individual but also entire collectives vulnerable and susceptible to manipulation. Based on Gustave Le Bon’s “Psychology of the Masses”, she examines the influence of emotions as an instrument of power.

 

Parallel program:

Performance by Maria Hanl & Michaela Schausberger,
21 March, 7pmProgram in cooperation with Salam Music Festival:

Talk with Maria Hanl & Jan David Zimmermann,
followed by a concert with Mehdi Chamma,
14 April, 6pm

Filmscreening AYYUR by Zineb Wakrim,
followed by a concert by Majid Bekkas,
15 April, 8pm

Artist talk with Ziad Naitaddi,
followed by a concert with Avin Ahmadi,
16 April, 6pm

 

Documentation:
Curatorial text by Achraf Remok: Emotional Lands
Radio Ö1 / Leporello: Klang-und-Gefuehl-Das-Salam-Music-Festival

 

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Featured events

Performance

hciud

as part of the exhibition Emotional Lands

expanded

Emotional Lands

Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
vue d'exposition, philomena+, Vienne, 2024
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
exhibition view, philomena+, Vienna, 2024

photo: Ibrahim Dirani
Maria Hanl, Le centre du pouvoir est vide, il n'y a plus personne sur la chaise.*(*Paul Verhaeghe)
Installation de photographies, dessins, fils, bobines, argile, encre de Chine, texte, planche de bois, scories.
Vue d'exposition, philomena+, Vienne, 2024

photo: Maria Hanl
Maria Hanl, The center of power is empty, there is no one left on the chair*(*Paul Verhaeghe)
Installation of photographs, drawings, threads, coils, clay, Indian ink, text, wooden board, slag.
Exhibition view, philomena+, Vienna, 2024

photo: Maria Hanl
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
vue d'exposition, philomena+, Vienne, 2024

photo: Ibrahim Dirani
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
Exhibition view, philomena+, Vienna, 2024

photo: Ibrahim Dirani
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
vue d'exposition, philomena+, Vienne, 2024

photo: Ibrahim Dirani
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
Exhibition view (detail), philomena+, Vienna, 2024

photo: Ibrahim Dirani
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
vue d'exposition, philomena+, Vienne, 2024

photo: Ibrahim Dirani
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
Exhibition view (detail), philomena+, Vienna, 2024

photo: Ibrahim Dirani
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
vue d'exposition, philomena+, Vienne, 2024

photo: Ibrahim Dirani
Ziad Naitaddi, Fouad is not a criminal. Captive.
Work in progress
Exhibition view (detail), philomena+, Vienna, 2024

photo: Ibrahim Dirani
Maria Hanl, Le centre du pouvoir est vide, il n'y a plus personne sur la chaise.*(*Paul Verhaeghe)
Installation de photographies, dessins, fils, bobines, argile, encre de Chine, texte, planche de bois, scories.
Vue d'exposition, philomena+, Vienne, 2024

photo: Ibrahim Dirani
Maria Hanl, The center of power is empty, there is no one left on the chair*(*Paul Verhaeghe)
Installation of photographs, drawings, threads, coils, clay, Indian ink, text, wooden board, slag.
Exhibition view (detail), philomena+, Vienna, 2024

photo: Ibrahim Dirani
Maria Hanl, Le centre du pouvoir est vide, il n'y a plus personne sur la chaise.*(*Paul Verhaeghe)
Installation de photographies, dessins, fils, bobines, argile, encre de Chine, texte, planche de bois, scories.
Vue d'exposition, philomena+, Vienne, 2024

photo: Ibrahim Dirani
Maria Hanl, The center of power is empty, there is no one left on the chair*(*Paul Verhaeghe)
Installation of photographs, drawings, threads, coils, clay, Indian ink, text, wooden board, slag.
Exhibition view (detail), philomena+, Vienna, 2024

photo: Ibrahim Dirani
Maria Hanl, Le centre du pouvoir est vide, il n'y a plus personne sur la chaise.*(*Paul Verhaeghe)
Installation de photographies, dessins, fils, bobines, argile, encre de Chine, texte, planche de bois, scories.
Vue d'exposition (détail), philomena+, Vienne, 2024

photo: Ibrahim Dirani
Maria Hanl, Can you hear the melody?
Photography, ceramics, textiles, tableware.
Exhibition view, philomena+, Vienna, 2024.

photo: Ibrahim Dirani
Maria Hanl, Reconnaissons-nous les anciens modèles dans le nouveau design ?
nouveau design, impression numérique sur textil, 2023/24.
Maria Hanl, Do we recognize the old patterns in the new design?
Digital print on textil.
Exhibition view (showcase), philomena+, Vienna, 2023/24.

photo: Ibrahim Dirani

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